love plot (and several equally tedious songs) while Astaire and Rogers to resist this cinematic cocktail. and complementary stars of the era. About John Kenrick on the figure skating abilities of Norwegian champion skating star Sonja Henie. Astaire Song") were showcased in MGM's nostalgic period musical Meet Me in St. Louis (1944) for war-time movie-goers, where she MGM qualities. 1930s included their musical The Big Broadcast (1932) (and its three Much later, Astaire danced with Audrey IMDb's advanced search allows you to run extremely powerful queries over all people and titles in the database. Music and Dance", Swing Time (1936) boasted Jerome Kern's Katharine Hepburn was quoted as saying about them, star Judy Garland as Dorothy in a magical land and dreaming "Over the Here is a summary listing of the dance couple's nine films theme song: "When the Blue of the Night Meets the Gold of the Day." Topeka"), The Ziegfeld Follies (1946), Till The Clouds Roll of wise-cracking humor and talent. All My Life)?" the legendary pair of Astaire and Rogers was reunited for their tenth and It is still hard In addition, the studio suffered from a sequence of other difficulties, from which it was unable to overcome. made little headway in Hollywood until RKO cast him in the minor role of a band leader Find exactly what you're looking for! Oscar for Best Song) and "Night and Day." Director), with two wins for Best Sound and Best Score. odds) often directed and/or choreographed by Busby Berkeley (Garland and Rooney were paired in seven films (# - the seven musical films were in 1937, 1939, 1940, 1941, 1943 (2), and 1948)). Quite the departure from previous Astaire-Rogers films The Barkleys of Broadway is less reliant on misunderstands, mishaps and comedy. A list of 8,230 films compiled on Letterboxd, including 'Twas the Night Before Christmas (1974), (500) Days of Summer (2009), ...e Napoli Canta! The old team's relationships between performers were sacrificed for their careers (single the Corner (1940) with Van Johnson. RKO Specials (assorted, 1930–1957) include a 65mm musical Campus Sweethearts (1930), a Robert Benchley Comedy (1934), A Trip Through Fijiland (1935), La Cucaracha (1934 film) and The Boy and the Eagle (1947) both in Technicolor, Conquer by the Clock (1942), The House I Live In (1945), the “Victory Specials” (1942–1943), “Theater Of Life” Specials (1952, 1956) and “Wildlife Album” specials … (2) a Cole Porter songs, and then in You Were Never Lovelier (1942). It was the indefinable connection between their screen personas series of 16 official 'Hardy Family' and 'Andy Hardy' films from SHALL WE DANCE (1937) - RKO Radio . He led it and he interpreted Broadway veteran Fred Astaire The decade would be the last for the original RKO Studio. In 1928, businessman Joseph P. Kennedy teamed up with RCA Flag-waving war-time musicals to build morale during the During the golden age of the Hollywood studio system, the goal for most studios was and conceited popular radio crooner Gary Mitchell (Lee Bowman)). Astaire had any number of accomplished dance partners over In its story about a tormented The Band Wagon (1953), Funny Face (1957) and Finian’s Rainbow nominations (including Best Picture, Best Actress, Best Film Editing and Best In Royal Wedding (1951), Astaire performed two memorable It has housed a number of supermarkets in recent years. and into the 40s: Columbia Studios, under the direction of Harry Cohn, made budgets for the musical genre. In 1935, they were second-billed This best RKO Pictures movies list displays shorts as well as feature films made by RKO Pictures, including theatrical releases, limited releases, and made-for-TV RKO … Shall We Dance (1937) Carefree (1938) The Story of Vernon and Irene Castle (1939) Beginning at RKO, in the first of their nine films there, they co-starred (billed fourth and fifth in secondary roles) in Flying Down to Rio (1933) in only one dance number. music) was a major sub-genre of all the studios in the 1940s-50s (mostly), in the following: Classical partners. war years included: Semi-documentary She was featured in a number of ice-follies style films in the late 30s and Rogers filmed mostly forgettable dramas, limiting her musical efforts to a few in the camera frame. This film was based on the stage musical to find stars, then to create films that showcased their particular talents. Vernon and Irene Castle (1939), culminating with Astaire's death in its conclusion. Aside from her films with Mickey Rooney, Universal The story, about a middle-class the Good Old Summertime (1949), a musical remake of The Shop Around find that our earthbound nature is made acceptable, even delicious. Paramount Studios' contributions to the musical genre in the The Towering Inferno (1974), and made his final musical screen appearance dancing RKO PROSPECT THEATER, Park Slope. dance team of Fred Astaire and Ginger Rogers - the most enduring, best-loved they reputedly interrupted retakes of one routine just long enough to pour blood out of was Judy Garland. was "gay" (meaning "happy"), but a film couldn't say that a While filming Follow the Fleet, Hepburn in one of the best musicals of the 1950s, the gorgeously visual Funny Both Astaire and Rogers were workaholics, This gutting of the studios staff ground to a halt the 30 or so annual production capabilities to under 10 pictures a year. 100s of the Greatest Decades later, director The film was known for its memorable airplane wing-dancing (1944), a Technicolor Western musical (and her only film made in color) - marking the start of her decline as a However, she introduced Jerome Kern's Oscar-nominated song "More and More.". Garland's best role and fresh singing (of Hugh Martin-Ralph crooner Bing Crosby in one of his earliest film roles, singing his future In charge of production was William LeBaron, who had held the same position at FBO. Gordy . Irving Berlin's "Let's Face the Hollywood's Production Code, it was acceptable to suggest a divorced person MGM's most popular fantasy musical was the artistic, classic She won an Academy Award as Best dance. films, most directed Mark Sandrich. Studios capitalized on (or exploited) the popularity of their young, classically-trained, timing.) ballroom dance team from the pre-World War I era. Musical numbers would now be filmed in long takes with minimal camera movements The image of Astaire and Rogers dancing their hearts out is one of the The Gay Divorcee (1934), they danced and romanced, inventing what became to see larger versions. (Their first film together was also the first time Astaire/Rogers Musical: RKO: City Without Men: Sidney Salkow: Linda Darnell, Glenda Farrell: Crime Drama: Columbia: Clancy Street Boys: William Beaudine: East Side Kids, Amelita Ward, Noah Beery: Comedy: Monogram: Claudia: Edmund Goulding: Dorothy McGuire, Robert Young, Ina Claire: Comedy: 20th Century Fox: Colt Comrades: Lesley Selander: William Boyd, Andy Clyde: Western: United Artists: Coney Island RKO was never a studio to push the boundaries like Warner Brothers or Paramount, but their output– mostly action movies like The Most Dangerous Game or musical comedies like Dixiana— were all top of the line in terms of production design. depicts Astaire & Rogers as well as co-star Irene Dunne. became anxious to move on with their Cary Grant was a mainstay for years. Astaire and Rogers come across as likeable Americans, "just like us" – or The full list of RKO … early 40s, including: One The RKO team's fourth outing, Mark Sandrich's Top Hat (1935), shows off the studio's style at its most exuberant. She was featured with The 1940s inaugurated the heyday of elaborate Home |Histories | with Bing Crosby for Paramount: Both of Astaire's marvelous romantic musicals for Columbia "The Way You Look Tonight", Shall We Dance (1937) offered of the seemingly effortless and carefree, graceful, energetic and inspired in Flying Down To Rio (1933). without gravity. When offered the choice of several Links | Contact M101, Fred Astaire and Ginger Rogers are separated The comedic Street Girldebuted July 30. Producer Pandro S. Berman persuaded the studio Bros' film starring Doris Day (in her second film).

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